Gary Thomas

612-624-3527

Cultural Studies & Comparative Lit 208 Nich Hall

Department Affiliations

B.A.: German and Music, UCLA, Los Angeles, CA, 1966.
Ph.D.: Germanic Languages and Literatures, Harvard University, Cambridge, MA, 1973.
M.A.: Germanic Languages and Literatures, Harvard University, Cambridge, MA, 1968.

Queering the Pitch: The New Gay and Lesbian Musicology. Thomas, Gary C., Co-Editor, Routledge, 1994.
'Was George Frideric Handel Gay'? -- On Closet Questions and Cultural Politics. Thomas, Gary C., Queering the Pitch, 1994.
Musical Rhetoric and Politics in the Early German Lied: Thomas, Gary C., Camden House, Music and German Literature, 1992.
Dance Music and the Origins of the Dactylic Meter. Thomas, Gary C., Daphnis, Zeitschrift für Mittlere Deutsche Literatur. Bd. 16, Heft 1-2, pp. 107-146, 1987.
Constantin Christian Dedekind, Die Aelbianische Musen-Lust (1657). Thomas, Gary C., Historical-critical edition, Peter Lang, 1990.
Men at the Keyboard: On Liminal Spaces and the Heterotopian Function of Music: Thomas, Gary C., University of California Press, Beyond the Soundtrack:Representing Music in Cinema, 2006.

Director of Undergraduate Studies, Department of Cultural Studies and Comparative Literature, University of Minnesota